Resuming podcast
Vampirs, Westerns Malgaixos i Viatges en el Temps: Martín Pinyol & Marc Pastor a Gigamés
Idíl·liQ
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Visió General
"El vampir és el millor monstre que podem llegir, consumir o admirar" – Martín Pinyol
Podcast gravat a la llibreria Gigamés (Barcelona) amb la presentadora Karen Madrid i els autors Martín Pinyol i Marc Pastor. Conversen sobre:
• Gènere fantàstic català
• Vampirs, humor i joventut
• Exorcismes de Jacint Verdaguer
• El mite d’Enriqueta Martí
• Colonialisme i western a Madagascar
• Blocs creatius, salut mental i portades mainstream
• El “Corbovers”: univers compartit de Marc Pastor
1. Martín Pinyol
Fascinació vampírica
• Lectures primerenques (El pequeño vampiro, Salem’s Lot)
• Vampir aristocràtic vs. vampir "okupa"
• Importància de l’humor
Saga “Ciutat de Vampirs”
• Trilogia juvenil: El Club de les Ombres, La Lliga de la Llum
• Cros-over amb el personatge Costales (de “Una de vampiros”)
• Objectiu: lectors adolescents i adults “friquis”
Història i ficció
• Enriqueta Martí convertida en vampira literal
• Jacint Verdaguer boxejador-exorcista – documentació extensa
• Cameos d’autors (Marc Pastor, Salvador Macip)
2. Marc Pastor
D’“La mala dona” a l’“One-Hit Wonder”
• 14 traduccions; encara estima l’obra
• Anècdotes de premsa i amistat amb Pinyol
Bloqueig i renaixement
• Problemes de salut i crisi creativa
• Reaprendre a escriure → “Riu de Safirs” (western malgaix)
“Riu de Safirs”
• Western + viatges en el temps subtils
• Crítica social: mines de safir, prostitució, neocolonialisme
• Narrador tahirià; evolució moral i idealisme trencat
Univers Corbovers
• “FaristA” com a pedra angular
• Variar la dosi de gènere en cada llibre
• “L’horror de Rèquim” (Víctor Negro) – Lovecraft paròdic, possible musical
3. Indústria & Mercat
• Portades “mainstream” vs. lectors de gènere
• Editorials generalistes i especialitzades
• Futur del fantàstic català i relleu generacional
Conclusions Clau
• Pinyol reivindica el vampir des de l’humor i la tradició local.
• Pastor aprofundeix en el western fantàstic amb denúncia social.
• Ambdós autors barregen història, fantasia i auto-referència per expandir la literatura fantàstica en català.
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